CD review: Schumann works for oboe and piano (Classical Music Daily)

GEOFF PEARCE enjoys music by Robert and Clara Schumann for oboe and piano: ‘… beautifully performed and recorded.’

‘I have long admired both of these fine artists who have collaborated since their youth, and this disc is truly a testament to this collaboration. I was struck by their teamwork, impeccable phrasing and control and Nicholas Daniel’s most glorious oboe sound, especially when he is playing quiet, reposed pieces. Enjoy this disc as much as I have.’

I was eagerly awaiting the chance to review this disc. I admire both of these fine musicians who have enjoyed a collaboration dating back to their youth, and they know each other’s musical impulses instinctively. Some of the works on this very generous disc are well known, and others, less so. It is pleasing to see some of the works of Clara Schumann also included as she was a fine composer as well as a strong exponent of the works of her husband.

The first works on this disc, Three Romances for oboe and piano Op 94 by Robert Schumann, are the best known, and are sometimes also played on violin or clarinet.

The first and third are in A minor, and the second in A major. They are not easy works to play and require fine control and a good sense of direction and line, and also in the second one, considerable stamina. Nicholas Daniel takes the opening of the first one, ‘Nicht schnell’, slower than anyone else I have heard, and in the hands of a lesser artist, it would be horrible, but not in this case: the effect is magical, and his breath control is admirable. The momentum is quite subtly realised and the end is finely nuanced. Associate artist Julius Drake is sympathetic and his touch is affectionate and the collaboration works beautifully.

Geoff Pearce, Classical Music Daily

Read this review in full at classicalmusicdaily.com